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JACK THE RIPPER ‘THE DEMENTED GENIUS’ – HIS DEEDS AND TIMES

FIVE – THE DOSS HOUSE

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The Economist magazine tries hard to console its readers with numbers. It worries little about how wealth is distributed and sustains the conviction that any improvement in gross domestic product is beneficial for all.   The magazine was first published in 1843. Ever since then it has preached utilitarianism and the supposed greatest happiness of the greatest number.   Four years before The Economist was first published there were 220 common lodging houses in London. 2500 people used these lodging houses.   The price was four pence for a single bed and eight pence for a double. The double beds were available for married couples. Prostitutes also used the beds for their clients. After their business was done the prostitutes could settle down for the night in something other than the typical narrow single bed of the lodging house.

After the Irish famine in 1848 the number of common lodging houses or doss houses increased. There was also immigration from mainland Europe. Jews escaped pogroms and poverty. By 1854 there were 1441 registered lodging houses in London. Between them all they provided 30,000 beds. Not every lodging house was registered.   3,276 known unregistered lodging houses had space for a further 50,000 people. The conditions in the doss houses were not good. The single beds were as narrow as a decent pair of shoulders, and the bedding was infected by vermin. The kitchens had insufficient space and facilities. Washing the walls with lime helped to control the vermin but the dosshouse owners resented the expense of buying lime.

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Back then The Economist would have remained as calm about the hardship as it is today about communities that are obliterated by global businesses. The tragedy would have been excused by a superficial look at numbers. There were over three million people living in London by 1860. The Economist is still capable of relating 80,000 lost souls within a population of three million and concluding it qualifies as the greatest happiness of the greatest number. Apart from his books, Jack London wrote for American newspapers.   He had too much heart for The Economist. In his book The People Of The Abyss he wrote about being poor in London. According to London, 300,000 lived in a single room but not necessarily alone and 900,000 slept in homes but in parts of houses that were not even rooms.  These numbers reveal that over a third of the population lived in squalid accommodation.   Single rooms and cramped cubbyholes did not, though, account for all the slum dwellers in Victorian London.   Extensive squalor has secrets beyond statistics.

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300,000 beds in a doss house does not equate to the total number of people who slept in them. Some of the beds were used by more than one customer. A bed could be let in three eight-hour shifts. Many of those living in London would have at some point in their lives had to endure the indignity of having to settle for a bed in a dosshouse. In between building work around the country Irish navvies would return to the doss houses. If some people were obliged to drift down the accommodation scale to the doss house, the destitute could sometimes drift upwards from the street. Some days were better than others.   Money could be scrounged or something found that was worth a few pence. For a beggar it was easier to obtain a penny than the four pence needed for a single bed.   A penny would secure a place in the rope room that most doss houses had. Men would stand next to one another, hang their arms over a line of rope, rest their chins on their chest and doze. For some sleeping this way when drunk was an improvement on trying to sleep cramped in a single bed when sober. The expression ‘can sleep on a clothes line’ was rooted in experience and not a product of a surreal imagination.

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Jack London spent several weeks in lodging houses because he was researching The People Of The Abyss.   London was not a typical user of a dosshouse. Neither was he a permanent resident of the City.   This did not make him unusual.  The lodging houses existed because people were poor and had unsettled lives. Haymaking and fruit picking were popular ways to earn money in the summer, and many Londoners deserted the City in those months. Others joined fairs and travelling shows. Navvies found more building work than normal, and some men would ‘go on the tramp’, sampling the countryside while they scrounged the odd job and handout.   This seasonal movement of people coexisted alongside an urban restlessness rooted in the inevitable indebtedness and crime that the poor needed to survive. In 1890 the Islington murderer Thomas Neal killed his 24 years old wife at St Peter’s Street, which was the sixth address that Neal had occupied in the previous nine and a half months.

Women used the doss houses. Not all were prostitutes, and of them only some would have had customers.   The Government must have ignored the calm reassurances of The Economist because it increased the powers of local government to regulate the doss houses. The presence of men and women together and the sharing of accommodation by the genders became unusual.   The Common Lodging House Acts of 1851 and 1853 were meant to improve sanitation. The local authorities used their powers to regulate immorality but were less diligent in imposing sanitary standards. Immorality did exist. Drinking in the doss houses, though, was not widespread.   People arrived drunk but after paying for their bed their purses and pockets were empty. The drunks were ready to flop. Thieving was a problem when there was something to steal. No doubt there would have been people all too willing to take advantage of others but the recorded memories of residents also refer to when shared company felt like modest social and emotional support. Most of the time, though, the experience inside a doss house was grim. Examples of starvation were observable in the East End, and some of those would have appeared in the doss houses. One account that was typical refers to 27 years old Ellen Munro who was found dead in a doorway. ‘Her bones appeared to protrude though her skin,’ said a witness.

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The Rowton Houses were not much help to the starving but they did halt the slide in some. The first Rowton House was established in Vauxhall, London by Lord Rowton. Without his title he was just plain Montagu Corry. Rowton House charged six pence a night for a single bed, two pence more than the standard fare but it offered comfortable beds located in cubicles that provided a degree of privacy. The Rowton Houses were kept clean, and there was a serious attempt to prevent vermin. The washrooms had hot and cold water and footbaths. There were even coat hooks. The libraries were intended to help the men relax and be occupied. In a way they did because all the books in the first Rowton House were stolen in a couple of days. After that the books were kept behind locked cases. Rowton House was successful, and five others were opened in London. Rowton Houses were also built in Birmingham, Liverpool and Newcastle.

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Black and Asian immigrants would have also used doss houses in between work. On the street black beggars were rumoured to be more successful than the white. The black beggar may have been poor but he had exotic dignity while his white counterpart appeared more pathetic and distasteful.   For reasons we can imagine most Black, Asian and Chinese did not settle in the Victorian communities. At the end of the 19th Century there were fewer black people in London than there had been fifty years before.

Modest conversation and mutual sympathy may have been available between residents but survival depended on people being wary and keeping their distance. As a hiding place, the doss house would have suited a serial killer. He could move quickly to a bed where those next to him would have wanted to feel they had some space rather than experience intimacy. After night had arrived the washrooms and kitchens were dark and gloomy. No one would be sure who or what they saw there, and seeing a man stripped and washing himself clean would have looked normal, even if what he happened to be washing away was blood. It would be another low paid worker making himself clean after a long hard shift. Questions and curiosity were not appropriate in a doss house. Neither was sharing information with the police.  Anyone suspected of being a police informant was beaten up and ejected from the dosshouse.   Unless it was a Rowton House, the first of which opened two years after the murders, there was no space for clothes and no coat hooks. No one disrobed for bed. Jack the Ripper had to hide somewhere after his crimes. The dark shadows of the doss house, where the sheepish and anxious poor were desperate for sleep, may have provided in 1888 a refuge for someone who knew how to hide in the most overpopulated district of not just London but the world.

Howard Jackson has had seven books published by Red Rattle Books including novels, short stories and collections of film criticism.   If you are interested in original horror and crime fiction and want information about the books of Howard Jackson and the other great titles at Red Rattle Books, click here.

 

 

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JACK THE RIPPER ‘THE DEMENTED GENIUS’ – HIS DEEDS AND TIMES

THREE – THE LEGEND

 

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The parents of Frederick Bailey Deeming described their son as a difficult child.   The troublesome child became an impossible adult. In 1891, Deeming killed his first wife and four children and buried them all under the floor. Fortunately there were no children in the second marriage. After moving to Australia, Deeming hid his dead second wife under the hearthstone in the bedroom. A dollop of cement kept the body secure and discreet. Deeming was arrested for his murders while arranging a wedding with his third beloved. The first family was murdered near Liverpool in the large village of Rainhill. The village is known for the steam engine trials of 1829. There was plenty of puff and noise that day but the place is quiet. In the trials Stephenson introduced the Rocket, and it became famous as being the first modern steam locomotive.   There are a couple of miles between Rainhill and where I lived as a child.   I attended school with children from the village. We all knew about the Rocket by Stephenson. If the adults had discussed Deeming the murderer and his crimes, the house where the bodies were discovered would have been a magnet for children. But, like a puff of steam from the Rocket, the gossip about Deeming faded away.

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The consensus is that Jack the Ripper killed five prostitutes. Deeming murdered six people, and four of them were children. His name is known by some but only because Jack the Ripper experts have felt obliged to name Deeming as a possible suspect for the Jack the Ripper crimes.   The reasoning is simple. Deeming was alive at the time of the murders and he killed people. He is not, though, Jack the Ripper. Because he had an active criminal life that included fraud and theft, Deeming was in prison when the five prostitutes were being murdered in Whitechapel.   The investigation of the homicides by Deeming, like that of Doctor Crippen, involved communication between countries separated by oceans. Jack the Ripper and Doctor Crippen became notorious and their crimes inspired novelists and filmmakers. Poor Frederick Bailey Deeming is not even remembered in a village on the outskirts of Liverpool and where not much happens.

The name Frederick Bailey Deeming did not help him. It is too precise a name for mystery. Frederick Bailey Deeming sounds like a title or a definition of a particular human being rather than a clue to identity. Although he was not middle class, the name of Deeming suits a posh accent. The name Jack the Ripper suits all tongues and is as mysterious as the London fog in which five Whitechapel prostitutes were killed.  Doctor Crippen has a name that is also evocative. It does not swirl like fog but it suggests cruelty and sticks between the teeth. The Doctor is preserved as a second rate wax dummy in the Chamber of Horrors in Madame Tussauds.   The story of the romance that inspired Crippen to kill suggested lost opportunities. Ernest Raymond recognised this and wrote the entertaining and gripping novel We The Accused.  Doctor Crippen, though, is not a legend. His temptation and weakness that led to his false steps are qualities we all understand. We are curious about Doctor Crippen rather than mystified.

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Fame depends on timing. Edward Carpenter the political radical and poet described the Victorian age as a ‘fascinating and enthusiastic period.’ Much of that enthusiasm was sparked by a changing world. Politics, art and industry were all affected. Jack the Ripper was not the first psychopath to murder women but his narrow interests, poor and hardened women in an area blighted by poverty and prostitution, gave him a foothold in modernism. Jack the Ripper is not regarded as a human suffering from temptation and weakness. His crimes suggest the strength of a monster. Jack the Ripper is a creature that belongs in comic books. He was regarded as the superman of criminals.  Elements of the Victorian printed media responded to the fantasy figure and indulged in sensational cartoons and reports.

The solitary human icon, though, is more rare than we think.   The artists and scientists that create revolutions are part of cultural shifts that affect more than them. Movements and trends are important.   Jack the Ripper was a clever fiend that had a monster within him.   Robert Louis Stevenson published Strange Case of Dr Jekyll and Mr Hyde in 1886, two years before Jack the Ripper committed his first murder in Whitechapel.   Stevenson imagined modern science being used to liberate the monster within men.   The poverty and slums of Whitechapel inspired Jack the Ripper, and his escape was aided by the London fog, the industrial pollution that scarred lungs and English pretensions.  Jekyll sipped his serum, and Jack the Ripper sniffed London fog and industrial blight.

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Sherlock Holmes was also important to the Victorian imagination that was haunted by Jack the Ripper. For Christians the existence of the devil confirms the presence of God. Sherlock Holmes was the alter ego of Jack the Ripper, two men without empathy and shaped by crime. Jack the Ripper existed to supply mysteries, and Sherlock Holmes was created to solve them.   Both men had odd behaviours. Jack the Ripper murdered women, and almost as bad, Sherlock Holmes played unlistenable melodies on his violin and took cocaine.  Jack the Ripper even left a clue that belonged in a story by Conan Doyle, the odd inscription on the wall about ‘the Juwes’ not being blamed.  Holmes, Jekyll and Jack the Ripper connected in the imaginations of the British.  Each made the legend of the other two more potent.  All three were imagined to be gentlemen. Holmes and Jekyll are the upper class creations of Stevenson and Conan Doyle. Despite there being no evidence to suggest Jack the Ripper had surgical skill the newspapers established the myth of a slayer in top hat walking the streets of Whitechapel.   Comic books and action movies demonstrate the importance of the exceptional costumes in melodrama.   The top hat, cloak and cane were an imagined and inappropriate costume but still potent symbols. Add an upper class accent and refined features and we have not just a solitary murderer but also an exceptional figure. No one wanted to meet Jack the Ripper but plenty wanted a glimpse.

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The ease with which Jack the Ripper was given a false upper class identity was not a consequence of sloppy thinking.   Social class was important to the Victorians.   Many workers were antagonistic towards the wealthy but others talked about their ‘betters’. The middle classes and men believed their privilege was justified by industry, superior intelligence and a sense of honour.   Jack the Ripper did not lack industry and he was clever enough to mutilate bodies in the dark and escape detection.  The crimes of Jack the Ripper involved daring and risk, qualities in the world of commerce that earned reward and affluence. There is also the suspicion that the murderer may have had a sense of honour or a code that belonged to a gentleman.  The victims led what were considered to be immoral lives.

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The notion of the Ripper as a gentleman with purpose and method has persuaded some that the Monarchy was involved in the murders. This notion is as daft as the suggestion that Deeming might have been Jack the Ripper.   The British Monarchy is far from being an attractive institution but it was not involved in the crimes of Jack the Ripper.  The stories, though, have done the legend no harm.   The powerful do protect their own but in the case of Jack the Ripper we are all baffled by who or what he might have been.   We have to assume that the police wanted to catch Jack the Ripper but in a society etched in social class and snobbery it is not difficult to imagine a police force rendered incompetent by deference, hierarchy and an entitlement to privilege.  It is now believed that the letter from Jack the Ripper to the Press was faked by a newspaperman. Back in 1888 it would have reinforced the suspicions of the poor and confirmed for them that the police were dumb lackeys for the powerful. One of the Sergeants on the case even had the unfortunate surname of Thicke.

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All the above contributes to the legend but none of it as important as the mystery of the identity of the killer. The inexplicable is not just addictive. It permits thought and fancy and appeals to frustrated engineers who do not like to have dirty hands. In the years between the end of the Second World war and 1960 the complicated light from the legend was dimming.   The sixties generation pledged to overthrow any remnants of Victorian puritanism but the decade had elements of the end of the last Century.   The period was ‘fascinating and enthusiastic’. It also produced know-alls who believed that modern and superior detective work would identify the killer. Amateur detectives bred like rabbits, and books promised a solution to the mystery.   Author Patricia Cornwell is a recent example. When her theory was dismissed as silly, she claimed that it was because she was American and female. The thrillers of Cornwell have sold over a 100,000,000 copies. The woman is a slick operator yet Cornwell bought 30 paintings by artist Walter Sickert.  She believed their dark themes established his guilt. This is bizarre logic.   Paintings are an exercise in imagination and, although Cornwell does not think it important, Sickert was in France for four of the murders by Jack the Ripper.  The sensible books on Jack the Ripper avoid extravagant claims.   A mystery is different from a puzzle. It does not need to be solved to be interesting.  Silliness, though, will continue.

Howard Jackson has had seven books published by Red Rattle Books including novels, short stories and collections of film criticism.   If you are interested in original horror and crime fiction and want information about the books of Howard Jackson and the other great titles at Red Rattle Books, click here.